Making Writing Space, Redux

This post first appeared on the Maine Crime Writers blog on August 20, 2018.

We’re just back from our annual visit to beautiful Brooklin, Maine, the inspirational place I wrote about here on MCW three Augusts ago. We had two marvelous weeks there this year (which means, of course, twice the bracing swims, twice the stunning sunsets and twice the fabulous blueberry pie). Immersed in a new series, I also got twice as much writing done.

When I went back to read the post I wrote in 2015 about how it feels to be surrounded by E.B. White’s spirit when we visit Allen Cove, I realized I couldn’t say it better, so here it is again.  I hope you enjoy this August 12, 2015 post, and invite comments about the places that inspire you.

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What happens to me when I cross the Piscataqua and plunge rapidly into Maine at a cost of seventy-five cents in tolls? I cannot describe it. I do not ordinarily spy a partridge in a pear tree, or three French hens, but I do have the sensation of having received a gift from a true love. And when, five hours later, I dip down across the Narramissic and look back at the tiny town of Orland, the white spire of its church against the pale-red sky stirs me in a way that Chartres could never do.”—E.B. White, Home-Coming, 1955

 I am lucky enough to live in Maine all the time and don’t have to cross the Piscataqua to make a pilgrimage to Allen Cove in Brooklin, Maine, where the incomparable E.B. White lived and wrote for so many years.

E.B. White

E.B. White

But just as he did on his long rides from away, I feel a delicious anticipation when crossing the Narramissic River in the Hancock County town of Orland. From there it’s less than a half hour to the shore of Allen Cove, where I also lived once upon a time. My period of residence began eight years after the 1985 death of the famed essayist, author and authority on writerly style.

The gravestones of Katharine and E.B. White, admirable, brilliant writers both.

In the mid-90s I lived in a rented cottage on the south side of E.B. and Katharine White’s former hayfield, across the road from their old saltwater farm. Though I had turned in my journalist’s badge by then, I still thought of myself as a writer, self-identity being a fairly fixed thing by the time you’re thirty-something. I was a recent law school grad, and had yet to realize that the legal and literate sides of my brain could sing—or at least hum—in harmony. Though the writer part of me was in a fallow period, I thought a lot about the man who used to live across the road. I bought and read as much of his work as I could find. (I later discovered Katharine White’s work, which is a blog post for another day.)

The summer folks who had bought the Whites’ farm urged me to hike around on the farm throughout the winter, and even loaned me a pair of snowshoes for that purpose. Without the smell of humans on the land, the deer would decimate the orchard, they said, so tromp around to your heart’s content. That’s how the Whites’ former place became mine to ramble during the cold weather months 20 years ago.

I was especially drawn to the converted boathouse on the shore of Allen Cove where E.B. White wrote. I spent considerable time peering through the window of his former writing space, studying its spare beauty.

Here’s how he described it:

The house in which I sit this morning was built to accommodate a boat, not a man, but by long experience I have learned that in most respects it shelters me better than the larger dwelling where my bed is, and which, by design, is a manhouse, not a boathouse. Here in the boathouse I am a wilder and, it would appear, a healthier man, by a safe margin. I have a chair, a bench, a table, and I can walk into the water if I tire of the land . . . A mouse and a squirrel share the house with me. The building is, in fact, a multiple dwelling, a semidetached affair. It is because I am semidetached while here that I find it possible to transact this private business with the fewest obstacles.—E.B. White, A Slight Sound At Evening, 1954.

Semidetached in the boathouse

Semidetached in the boathouse

My visits to his former coveside writing space occurred at a time when I was unable to achieve the semidetachment necessary to make up my own stories. Yet I yearned for a physical and mental writing space of my own, on the shore of Allen Cove or any other shore for that matter. I was learning to be a lawyer in rural Maine, but my new profession still felt like playacting, and part of me wanted to be offstage, writing the lines.

Two decades later I have figured out that I’m capable of doing both. I am a lawyer and a crime writer. My writing space is nothing like the boathouse into which I peeked on those cold afternoons on the shore of Allen Cove. But like White, I write every day, and feel as though I’ve received a gift when I cross that little river on the journey back to Brooklin.

A blueberry pie is always a gift

A blueberry pie is always a gift

This year, two days after I delivered the manuscript for my third Joe Gale mystery, we pointed the car north and east and yelped with joy when we crossed the Narramissic. We only had a week, but boy, did we make the most of it in a modest rented cottage around Allen Cove from the Whites’ place.

Allen Cove at Sunset, August, 2015

Allen Cove at sunset, August, 2015

We ate lots of blueberry pie. Took looooong swims in the cove when the tide was high. Hiked through hushed woodlands. Ate more pie. Sat in awe of sunsets that went on for an hour. Watched  a gang of greater yellowlegs dance along the shore. Listened for the nightly hermit thrush serenade while doing the supper dishes. Slept with the windows wide open to welcome the cool night breeze off the water. Ate still more pie.

A greater yellowlegs sashaying along the shoreline

A greater yellowlegs sashaying along the shoreline

And every now and then I picked up the binoculars and reconnoitered the shoreline of the cove until E.B. White’s little boathouse came into focus, still standing for the proposition that every writer needs to find their own space to write.

Brenda Buchanan is the author of the Joe Gale Mystery Series, featuring a diehard Maine newspaper reporter who covers the crime and courts beat. Three books—QUICK PIVOT, COVER STORY and TRUTH BEAT—are available everywhere e-books are sold.  She is hard at work on a new series that has as its protagonist a Portland criminal defense lawyer willing to take on cases others won’t touch in a town to which she swore she would never return.

 

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Maine Crime Wave 2018

This past weekend was the annual Maine Crime Wave conference and what a time we had.

Katrina Niidas Holm during her brilliant Life of a Book interview with Guest of Honor Douglas Preston and his editor, Millicent Bennett.

Katrina Niidas Holm, on the left, conducts a brilliant Life of a Book interview with Guest of Honor Douglas Preston and his editor, Millicent Bennett.

Acclaimed thriller and non-fiction author Douglas Preston was the Guest of Honor and the winner of the 2018 Maine CrimeMaster Award. He wowed the crowd on Friday night and Saturday morning with tales of his research trips to remote parts of the planet and terrific anecdotes about his on-going collaboration with Lincoln Child on thrillers that top the best-seller lists.

Barbara Ross led a terrific panel discussion Friday night about crafting irresistible openings, with Julia Spencer-Fleming and R.G. Belsky.

Left to right, moderator Barbara Ross, Julia Spencer-Fleming, R.G. Belsky talk about irresistible openings.

Left to right, moderator Barbara Ross, Julia Spencer-Fleming, R.G. Belsky talk about irresistible openings.

An hour later I moderated a discussion with domestic suspense writers Daniel Palmer and Joseph Souza about writing compelling endings.

Compelling Closings PanelPretty much the entire gang associated with the Maine Crime Writers blog was there, which is always a wonderful thing.

The gang

Top row, left to right, Gayle Lynds, Dick Cass, me, Bruce Coffin. Front row, Lea Wait, Jen Blood, Sandra Neilly, Maureen Milliken and Barbara Ross. Also at the conference, but not in the photo, were MCW bloggers Kate Flora, John Clark, Vaughn Hardaker, Susan Vaughn and Joe Souza.

Enormous thanks go out to Gayle Lynds and the rest of the organizing committee, and to Josh Bodwell, executive director of the Maine Writers and Publishers Alliance. Gayle Lynds 2

Putting on a two-day conference with such high quality programming takes a lot of work, and they deserve tremendous credit. The venue, the schedule, the food and the inclusive tone were pitch-perfect.

Thanks also to bookseller Barbara Kelly of Kelly’s Books-to-Go for managing the brisk business at the book table with her trademark smile.

Credit for these photos  goes to my spouse, Diane Kenty, who did a wonderful job capturing the happy and engaged spirit of the weekend.

Gerry Boyle and Kate Flora.

Gerry Boyle and Kate Flora.

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Reading and Watching


Most everybody who is anybody was at Malice Domestic the last weekend of April. This year I missed the fun.

It would have been great to hang out with my MCW colleagues Lea Wait, Barb Ross, Kathy Lynn Emerson, Maureen Milliken and Bruce Coffin, not to mention the hundreds of other mystery writers who converge on unsuspecting Bethesda, Maryland every spring. They’re my peeps, and I enjoy spending time with them, but the truth is I would have spent the weekend stalking Ann Cleeves and Brenda Blethyn.

If you don’t know, Ann Cleeves is a British writer who has written more than thirty novels—most of which I have read, many more than once—and Brenda Blethyn is an English actress most recently famous for her role as Vera in the BBC television series of the same name, based on Ann Cleeves’ books about brilliant, intrepid Detective Chief Inspector Vera Stanhope.

I am a huge fan of both women. I’ve met Ann twice before, once at Malice and again at Bouchercon last fall, and both times had to work hard not to come across as a total fangirl.

Here I am with Ann Cleeves last fall, trying not to gush.

I admire her intricately-plotted novels, which are peopled by fascinating characters. (Her Shetland series, featuring Detective Inspector Jimmy Perez, is as good as the Vera series, and also has inspired a BBC television series called Shetland, featuring Douglas Henshall.) On the performance side of the slate, the casting of Brenda Blethyn to play the role of Vera was absolutely inspired.

If any readers of this blog haven’t read Ann’s work, or haven’t seen Brenda become her characters, you owe it to yourself to binge-read the Vera books, then binge-watch the Vera series. It’s available on Acorn and BritBox, perhaps can also be found elsewhere on your entertainment dial. When you get done with the Vera series, dig into the Shetland books, then treat yourself to the Shetland TV series. If you’re like me, the books and the dramatic interpretation of them will have you dreaming of making a journey to that remote archipelago on the edge of the North Sea.

Now I have some some questions for you, dear readers.

If an author’s work has been dramatized on TV or in film, do you prefer to read the book first, or watch the show/movie first? Why?

For those of you who write crime fiction, do you read in the genre while you are writing, or no? Why or why not?

If you don’t read crime fiction while writing, do you watch mystery/crime shows on TV?

If so, what are your favorites?

My answers:

I read the book first, without fail.

I always have book going when I’m writing, and 90% of the time it’s crime fiction. I find it inspiring to read others’ work, don’t fear that I’ll unconsciously appropriate their style or voice.

Similarly, I come away both motivated and entertained when I watch well-written crime fiction shows on TV.

In addition to Vera and Shetland, I loved Foyle’s War, became totally absorbed in Broadchurch and some Friday nights want nothing more to kick back with my pal Sheriff Walt Longmire.

I’m always looking for new ideas, so please let me know your thoughts.

This post first appeared on the Maine Crime Writers blog on May 2, 2018.

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